INTERVIEW WITH BIZZY BONE

STRICTLYRAP.COM

If you've ever heard a Bizzy Bone song, you've been privilege to a glimpse inside. Haunted by memories of abuse and misuse, he's turned his vial of anger into a positive, creative energy. Over the course of time, I've had a rare opportunity to see behind the curtain enveloping Bizzy, the face that he shows the public as protection. He's an extremely intense individual. I wish the printed page could convey the emotion and fervor that fills him. Whether it's the underlying sensitivity to his past and friendships gone sour, or the irritation at the hypocrisy of society, or the joy in the love that he feels for his people, Bizzy makes no attempt to hide or apologize for his true self.

Highly intelligent, Bizzy tends to circle behind a straight answer to a question. Expecting intelligence, his answers are to the point. His words are directed at those who are ready to hear them, to understand them. Bizzy has been misquoted, turned around and his words used against him because of the impatience of the unlearned. As you read his words, take the time to feel what he's saying. Don't rush through them. The message is there, if you take the time to care enough to see it.

This interview actually happened over the course of one evening, but it labored awhile before it finally came alive. It all started with a seed and brought forth the fruit of discovery. It all began at a local pub, one of the places where Bizzy feels safe and comfortable. The date was September 11, 2000, the eve of Bizzy's birthday.

Because so many people feel love for Bizzy Bone, the birthday drinks flowed. We talked, we laughed and we found common ground on a lot of life's aspects. I also saw his vulnerability, the vulnerability of which so many have taken advantage. And that was enough for one night. Weeks and phone calls went by and, when it seemed like it would never happen, the call finally came and we hooked up. This night was an extremely different vibe. Where the first night was light and fun, this night was safe and comfortable. We met for dinner with a few of Bizzy's friends, Big B, Mike Mike and Cisco. I was immediately hit with the love that his friends felt for him and the amount of love that he returned. These people were his safety net. Even as an outsider, I felt safe. It's an easy feeling to get used to. These people have Bizzy's back and, with this level of comfort, Bizzy can be free to create. He's now free to spread his wings and fly free to his potential, no longer forced to the background. Take a minute and listen to any Bone Thugs song. You'll see that he's always in the back, though its his voice that anchors Bone Thugs and is the only thing that makes the group different from any other rap group. But, no more. It's Bizzy's turn. And, as the title of this article suggests, nothing's gonna stop him now.

What follows is the complete text of the interview. The only thing left out is a question I had asked concerning Eminem. I left it out due to my own embarrassment at having asked such a tired question. If you're wondering, Bizzy has "no problem with Em'". Read this two times, three times. Take time to hear him, to feel him. Go below the surface of your own understanding. Enjoy

So, what's up Bizzy?

I'm just holdin it down, man. Coming out of hibernation, I got a few things going on.

People want to know what's happening with Bizzy Bone. What's coming, what's up? I know you've got a movie coming out. Tell me about the movie.

The movie is called "Color of a Dream". To make a long story short, it stars Sherman Helmsley, ya know, George Jefferson, Movin on up, myself and a couple of other brothers who've done a few movies. It's the story about four friends and a cop. All four friends go their separate ways, I go the hustler route, one goes the rapper route and two of them are doing some karate shit. It's all behind the karate shit. They get into some trouble and come to me for help. Eventually some things happen, but I'll save it for the movie. I'm real proud to be a part of it. It's a little project, nothing real big, nothing extravagant. I can put my hands on the money, you know what I'm saying? I can see exactly where it's going. It prepared me for future ventures. That's what that did for me.

How did you like doing the movie?

It's cool. It felt like getting back in the swingit felt like being with Bone. It was more of a teamwork thing. I was able to do my little part, but I had to wait on others to catch up, you know, to get to the scene. And there's a lot of patience involved, but it was cool because, well, it was cool.

So that's kind of a parallel you're making. You said it was like working with Bone, you gotta wait for others catch up and get to the scene. Is that kind of what you're saying? I mean, what really is going on?

I'm glad you asked that.

Are you waiting for them to come up to the scene? What is it? Everybody's heard different stories and wants to know. Today, I was online and somebody that's supposed to know y'all said that you were all still tight. Really, what is the mindset of everybody right now?

The mindset of everybody right now is Break our names down. You got Layzie Bone. You got Krayzie Bone, Wish Bone, Flesh-N-Bone and Bizzy Bone. It all derives from one family with different characteristics. So, that's like the five senses. Me and Big B were in the car, discussinghe was more or less talking to me about it. I think the attributes of our characterscombined with the real, highlighting the fakecombined with lustly waysand combined with the want and the need to uplift and make a true commitment, not only to myself, but to man, period, as a spokesman, as a person, as a human being, you know, representing the planet. We had to go separate ways. It started personal. Get away, move away, go back to my roots. Go see my people. Go see my friends, the others who knew me when I had nothing. You know, cause its deeper, the story was much deeper. And in the meantime, lay low, don't speak on it. Don't say too much of any fuckin thing and just see how things turn out. And then, to be looked upon, like when you're quiet and you're not saying nothing is allwhy doesn't he talk? He needs to talk. He's not saying anything. You know they want me to talk, but I don't wanna talk. Or, if I talk, and you cut me off, and you don't let me finish my sentence to where I'm in a rock and a hard place everywhere we go I can only play the little brother role for so long. When I'm the one trying to use my motherfuckin mind and use my brains to battle the enemies and be a true rebel, and not lackluster, not lazy, and not happy just holdin my nuts with 6 figures when we making 8-9 for others. Waiting to put my hands on the pie and feelin what it's like to do the right things in the wrong positions and the wrong things in the right positions. Cause that's the way I feel. I'm not a fuckin pawn. Runaway slave, one of the last true fucking rebels, for real. We don't give a fuck. And I don't mix with niggas comfort zone. A comfort zone is a very important thing to a motherfucker. You know, they live by that. That's their form of protection, including distrust which is also a form of protection for that comfort zone that they've created for themselves. It's gotten a little bit outta hand. I think they're more so damaged and hurt about the whole situation, and they feel helpless. They feel that there's nothing they can do, so they settle for getting pimped and fucked.

Do you think they're alright with the situation

They keep getting fucked. They continuously You can tell me 100 times, I love thy neighbor, don't love thy enemy. I love thy neighbor, but you constantly sleep in the same house with the enemy, while you're battling against somebody you consider your neighbor, Action speaks louder than words. You know, I can take it at face value, if that makes sense. I can only take it for what I know, for what I can trust from what they've done. So, they're going on tour, keeping the Bone thing alive. And I do side things. Bizzy Bone one night stands, here and there, to keep my promotional thing going on, so that I know that I'm up and still pushing, trying to make moves and support the homies, support the mothership. But, it's just time for a whole new renaissance. A whole new aspect on this music. It's time for the blessing to come in. You've felt the hatred. I've felt the hatred. I've sung the hatred. I've sung death, now I'm going to sing life and everybody ain't up to speed on that just yet.

So, can y'all still work together? I know there's got to be some

I'm more so worried about, would they really want to work with me? Would they really want to talk about the things I talk about on track?

So, it's in their court right now?

The ball's always been in their court, since day one. All I've ever asked to do is base my operation where in the fuck I damn well choose. I don't have to come out to LA and stay in the hotels and spend up money. Send me ADATs and I can do it at home where I'm safe and protected. And the eyes of the street are watching me because they love me. Not somewhere I can go get robbed for $100 worth of jewelry and all a motherfucker can give me is a smirk or a smile. "Oh, we riders, Oh, we riders". Why won't you speak about the issues in true form? Why is it always clogged up with the thoughts of somebody with an invested interestin the majority of the group?

So, is there a fear that you have? I mean

Explain

Well, you mention that you want to work where you feel safe and comfortable

Well, I put down tracksLet me give you a few examples. Me and Pac did a song on the Art of War. My first verse, he did my background vocals. They erased those, kept one verse, put my homeboy in front of me, another homeboy after me, then Wish at the end, without consulting me. So, it's little stuff like certain songs that I might want to be a single that she had the last decision on. And they come to me, "Well, she told us to do it, B. She told us to do it". They're grown men. And when it gets to be issue after issue after issue after issue, it becomes a creative thing. And the hunger to be able to say what you know needs to be said, or what you feel in your heart, how you grew up, before you even met anyone So, that's where I come from with the protection and feeling safe. If I go to the studio If I grab the ADAT tape I make the duplicates I send it out to you There can be no infiltration. And you can do with it what you feel because I pre-plan. Cause I know how you are. But it's just more of havin the ball in my court, as opposed to the Elvis game. Why play the game where she constantly puts the credit card down and, come royalty time, we spent six months out there just to make it. Royalty time, that's put on that, plus the front money you got, which has to be recouped 100%. And if you don't pay your taxes, 140%. So it begins to become a "fuck you" game. And I realized it. But fear would be the only reason to stay. But God gave us these brains to think with. He didn't give it to us, you know Confusion, that's not his way and right now, there's so much confusion going on, and it's so deep and it's sosodeep, that in order for it not to come out, the best thing for me to do is step back and go for what the fuck I know.

So, is it Tomica, or the rest of Bone that really started the split?

I mean I'm gonna tell ya, I think sheshe was the true I said, "I can smell your rigormortis a mile away from the morgue/the scorn in your soul may tell you to humiliate you enemies/have you not read the Art of War?/absent minded to the enduring/pouring your cup of damnation in the midst of our world/no longer will the look of medusa seduce the predecessors and the entrepreneurs". Because it's so deep, and it's so in the crevice, that the best thing for me to do is step back. So I believe she initiated it, for sure. We were just fine with Eazy, just fine. Before we signed contracts, he gave us $10,000 just, for like, our little trust and to help us out. The contracts were shitty. Oh, the contracts were shitty. He fucked us on those first contracts. He got us with a standard, bullshit, 9-12 points with a kickback, take .50 off the top and that .50 becomes 100% and the , you know, just a bunch of rhetoric and a bunch of ruse. That's just entailed because we were young, dumb and full of music. But, after that, you know, we could have got over that with good sense. But , right now, there's more bullshit in the game. Eazy could be in the video with me, not his wife, and vice versa, you know. There's just certain things you don't do. Certain things that I'm not down with, you know. And I don't agree with the shit, but it's my folks. It's my people, one love. I love you, but I just don't get down like that. Don't knock me because I'm beautiful and I'm not fucking scared. Don't knock me because of it. Love me. Embrace me. Know that you have a solid man on your team and utilize it, even if you think you can manipulate it, utilize the shit. Don't throw it away. Don't try to embarrass it publicly and nationally so you don't give it no safe havin to come back to when things get rough, to the point where he creates his own safe haven within himself. Run to no one, come to the creator. That's where I'm at.

So it sounds I mean, I don't want to put words in your mouth

No, see, that's why you need to take these exact words and write them down, and it will stimulate people's minds where they have to intelligently think it out what I'm saying. There's certain things you can't just come out and say. Words are dangerous. The tongue is deadly. When it consists of the double edge sword, you get the truth and you get the lies out of everything. But I have to articulate it in a way that makes people think. Cause, right now, I can't give it to anyone in laymen's terms because I'm still waiting on a move. I'm still leaving that opening, that crack in the door, that light at the end of the tunnel, so I can come running home. But it's getting further and further down the line and further down the line; I don't see that shit. I don't see shit and I'm travelin with 7-8 niggas that love me, with children and families that love them, that love us. But there's no room for that. And I can't come by myself, cause these are the one that, along the way, helped me to get here. You feel what I'm saying?

I feel that

And if you just write it down and read it, you'll understand exactly what I'm talking about. Just take some time and have a drink. The words are better on paper because the voice has so many emotions.

How did Bizzy Bone, from Columbus, hook up with these guys from Cleveland?

Well, I started in Columbus, see. Ya know, I went through a lot of fucked up shit in my childhood that I implement, sometimes, here and there in my music, that help mold us. Like, you know, you spend 15 years of your life being a kid and you spend the rest of your life trying to right the wrongs of them 15 years. Or deal with the fetishes or lusts or wants, or whatever may beanyway I moved through the foster care system and my sisters lived in Cleveland. We're all from Columbus, northside, southside, eastside, Westside (all y'all motherfuckers know what it is) We're all from Columbus and shit and they moved up there with their father, and It's a lot of bullshit that surround that shit, too. They came down and got me and, in about two more weeks, I started living with them fulltime. Soon as I got to Cleveland, it was like, my sisters was, like, real raw ass, ghetto bitches, you know what I'm saying? They sagged my pants and shit. They was runnin dope out the motherfuckin house. It was my first experience with that, on that side, cause I was constantly in the system of deprived children and they kept me through the system and I got shuttled and I landed in the hood. I landed in the motherfuckin hood. And they taught me how to do this, how to o that, going through all that, my father, actually BigB (I got a lot of fathers), he owned the home and he was doing most of the shit and helping others do their little shit n the side or whatever.

There was a young lady who used to help him by the name of Pam. Now, Pam would come over all the time and call me Steve, all the fucking time. She was the sweetest woman you want to meet, and, it turns out, that this was Layzie Bone's momma. Anyway, I guess we favored each other, she told me he rapped. I told her I sang and rapped. I wrote a rap down and left it for Lay in his room. Went to his house, he lived like a street over, left it in his room. I went home and I'm in there selling dope and shit, you know, just chillin, and there's a knock on the door. I knew it couldn't be no fiend, slim, fair skinned, young nigga like me. I open the door and he was like, "you write this, man?" I was like, "yeah". He said, "What's up, I'm Steve". I had seen him in school. It was starting to jog my memory. We had passed each other. I had asked him where the gym was, he was like, "Nigga, it's right there", and it was right next to me. We hooked up and sat down and we talked for like 3-4 hours and we bought some 40's of this shit called White Mountain. It's like an easy drink for beginning alcoholics. We sat down for like 5-6 hours. I left with the nigga and I stayed by his side until we left for LA from that day forth.

So, what happened in LA?

After he introduced me to Krayzie, he introduced me to Wish as his cousin, introduced me to Flesh, his big brother, they, like, lived together, there cam a point in time on 99th where niggas was selling dope, niggas was selling dummies, shit was real motherfuckin rough. And niggas started smoking sherms, that wet, fuckin embalming fluid out in Cleveland. Somehow, I don't know what conspiracy it came from, but the hood was saturated with embalming fluid. They'd sell it in cigarettes. They'd sell it in joints and keep it in the freezer and sell it in little vial bottles for like $35, now that shit goes for $65, so I heard. Niggas started smoking that shit and going crazy. There was a motherfuckers got shot dead in the motherfuckin head in front of Ant's moms house where we was at on 99th and they left him right there. And there was more niggas getting shot and we said if we don't leave right now, we don't make this move on this rap shit, because we always knew we was gonna make it We had already put out this little album with this motherfuckers named Kermitif we don't make a move, somebody's gonna get killed. So, Flesh-N-Bone was working at KFC. He got all the money. He, like, saved up 2,3 checks at like $6, 7, 800 a motherfuckin check. Plus, he know a couple people out there, he was a connection. That whole Flesh-N-Bone link to Bone Thugs-N-Harmony, that's a whole 'nother issue, that's a whole other side. So, he knew a couple people down there. He fronted the money for the tickets. We went down with a few pairs of drawers, a few shirts, pants, sisters crying and shit. I had to leave my baby's momma at the shelter. Niggas just basically left everything and told the whole hood we was gonna make it. We gonna bring Eazy E here and make a video. Niggas was videotaping and shit. It was real pro-fucking-phetic. It was prophetic as fuck. I wasn't doin no talking. I was just sitting back. I don't think them niggas like my yellow ass, anyway, cause, you know, I don't give a fuck.

So we made the move and took the 3 1/2, 4-day bus ride down to motherfucking LA, hemorrhoids and everything cause I don't do public bathrooms. But I got deuces on the toilet, so I was pretty cool once we got back. We made it down to LA, seen the palm trees, tripped off that, couldn't believe the shit, it was amazing. We'd only seen the shit on TV. We ain't never been motherfuckin nowhere. You gotta remember, I'm 16 years the fuck old. Like damn, heart pumpin, got two babies and shit. It was crazy. Later on, I found I had another one on the way. So, we had hooked up with these motherfuckers. Two brothers named Mark and Hoop Phi Psi James, he grew up in Cleveland with us, he was out in California, and a brother by the name of Dante, he lived in South Central. We went over Dante's house, got fucked upEventually, we left with Mark and James because we knew James from the hood. I used to run little 40's and 50's for James when I was a little 14 year old nigga to make a little scratch to feed my family and shit when pops wasn't feelin like doing a damn thing. Scott knew him real well because they played on the same basketball team and they had this little motherfucker who called himself a manager named Gerald. Gerald kept money in they pocket. He was trying to get one of them boys down to Egypt. It was basically a good deal gone bad. What he did washe did all his little dirty work on the backs of them. He got 'em for fiend prices, doing three times the man work for cash. You know, $3-4,000, they get a crib that cost $700 and a TV, gotta eat, wanna smoke weed, you know, they used all that money up. They got us an apartment down here in Celia, California, but we callin around, we callin Eazy E, callin everybody, settin up appointments, getting in as close as we can, using all the contacts we can. Lay was doin most of the callin. I was more or less sittin back, letting them niggas take charge. I'm 16 years old and I gotta learn, just to let you know where I was and what was going on. But, eventually, we moved out to this little suburb, shit got rough for us. We started doing dirty shit out there. Them niggas just left us out there, then Gerald became the only person we knew out there. One nigga started having a baby, so he left with this chick. The other motherfucker went back to Cleveland. The rent was due, we didn't have shit. Shit was crazy. The earthquake had hit. It was the only place there wasn't all that much damage and they wanted their motherfuckin paper. They wanted their money, flat out. But we went through what we went through. We scuffled, we scrounged, but , anyway, we ended up in South Central. That's the only place we ever would have made it anyhow. I was just happy to have somewhere to rest. Now, I got my baby's momma down there with me, pregnant, Lay got his girl down there with him, they son. You know a lot of mysterious hit happened within that. Whenever a nigga's head was turned, you got to know that, you got to know that when you feel it. You got to know that when you stand next to a nigga and your vibeit's all about vibrations. I know we been here before, but you just can't think that deep yet. After that, we went to South Central with Dante.

Finally, one day, Eazy E called. Finally, Eazy E called us and we were up in Dante's wife's room and he was like, "What's goin on?'
I was like, "Man, who is this?"-I had answered the phone.
"This Eazy E."
"Man, don't play with me, man. Quit bullshittin, Steve, dog"
"Nah, man, it's really me, man. What's up nigga? Look, I'm in the studio", then, you know, he's doing his little shit. He was in there with ATL Hutch, Cold 187
I said, "for real", then I was like "check this out, nigga, I'm on the phone with Eazy E". I was excited as a motherfucker, whatever. I handed Krayzie the phone. We was like, "do that shit you wrote". Krayzie got on that bitch and spit, bddda, bddda, shotgun, fire, pistolwhip shit. Ant, you know, he was very intense, he's Krayzie Bone. So, he shot it at him and shit. And the motherfucker told him, "Hold on, hold on, I want my nigga to hear that shit". And he gave the phone to Cold 187 and let him hear a whole 'nother one. He didn't say the same on to him. E was like, "I'm gonna come pick all y'all niggas up. I'ma call you back", blasé, skippy, whatever he was telling Ant and shit. So Ant hung up the phone. We was jumping up and down and shit like, "It's on, nigga, ooh, I'm bout to get a cigarette".

There was these Mansfield crip niggas that lived around in that area who really embraced us. Nigga by the name of joker, raw, real nigga. Real LA niggas that took us in and looked out for us. Some of they homies wanted to come over and trip on us cause we was goofy as fuck. We didn't know, we was from Cleveland, man. Niggas got on red and black and blue. We all standin together with Starter jackets on. Nigga got a Pittsburgh Steelers jacket on, another nigga got a Chicago Bulls and another nigga got a blue Michigan jacket with the yellow on it, and that's what saved us. That was Mansfield crips colors, Michigan, that blue and motherfuckin yellow. They embraced us from there. That's just good vibes. That's that kinetical shit. People travel time to get that.

We just sat around there and after Eazy called, Dante's wife, Dina, heard Let me tell you how Satan came in. Dante's wife, Dina, heard that he called, she was already tripppin on us, wanted us out the motherfuckin house. And the bitch had greatness confined under them four walls. She had greatness. It was right there and we was together and couldn't nothing stop what we wanted. Nothing and nobody. We would have died for that shit, and we did die for it. It just depends on how you look at it. But, um, she locked the phone in her room and left the house. Could you imagine how we felt as the phone continued to ring? It's one chance in a lifetime. She got home, niggas couldn't even say shit, it's the only place we lived. Bitch was evil. She's strippin now, though. She's strippin now.

That's where it comes back.

Then we look on TV, on the box when it first came out, and Eazy E popped up. He had a show in Cleveland at Levert's. That's when we went back. That's when he heard a nigga rap, and that's when he put us on. Three weeks later, we had a motherfuckin album, or an EP, three weeks later, it went gold. We came out with Eternal, that hip-hop classic. Then, from then on, that's when the destruction came in. To me, that's when E died. He took a piece of us with him, you know, a big piece.

So, what's on the album? When is it? What's on it? See, there's this song going on around the internet, "confessions" they're calling it. It's not on anything that's released. You gonna release it?

Some things are put in some places for a reason. I like the internet because it's for the little guy. I plead the fifth on that.

OK, so, what about the album?

Aah, the new Bizzy Bone stuff. I think it's gonna surprise everybody. It's gonna go against the grain. I know everybody thinks I be screaming and hollering. It's gonna really shock a lot of people. I shocked myself. It was a real good time for me when I made the album. I was in real good spirits. I had a purpose in mind making the album. I was flowing too. It was in the midst of a creative harvest, you could say. It's just a beautiful thing. It's called "The Gift"

So, when does it come out?

That's a well-kept secret. It'll be before the year 2000 is out.

What's the first single?

Another well-kept secret. It'll be out well before the year 2000 is.

Who is Mitchell Johnson?

That's one of those kids who shot up those schools. There was so many of them. Near the end of '97, beginning of '98, this was before Columbine, I sort of attacked that issue immediately cause I felt that it was not just the ghetto anymore. It got more worldwide. If you notice, a lot of those young boys was on medication. What about the doctor that was prescribing those pills. What affect did that have on them? Nobody really asked the proper questions. There had to be reasons. I just decided to talk about it. Put my thoughts behind it.

Who was your first rap influence?

DOC. My first real rap influence. LL, kinda, but DOC really brought that flow to me. Of course, Rum DMC, those forefathers. A lot of roots lie just in lyrics. Lots of different Cab Calloway, that I used to see with my grandfather. A lot of stuff played a big part in the whole movement. It's a renaissance, a whole new thing.

Where are you in 5 years?

Hopefully, I'm doing the right thing. Hopefully, I'm working for the right force. Hopefully, on the right page. Whatever's meant to be, man.

Do you still see yourself in this game in 5 years? Still putting out albums. Are you still Bizzy Bone?

I'm always gonna be Bizzy Bone. That'll always be a part of me. But, that's not the extent. A lot of things, I leave exempt. I'm not going to present myself to the world with the name given to my father by an oppressor. I present myself on a totally other level. I might be a bad kid, but that don't mean I'm not going to be a good adult.

What's up with 7th Sign?

7th Sign is constantly moving. The artists are doing real good, keeping their heads up, above water. They give me plenty of space. They get in where they it in. They play their part. They star in their own movie. Everybody plays a different part. We lost some people along the way, but that's all in the game. Business and friendship don't mix. I try to keep them working. I keep it steady, some kind of cash flow in they pockets. They do their part. Are they working with you? Are they putting out their own thing? They work with me. We're sorta letting it work itself out. We got a lot of good ideas. When a good foundation presents itself, we're gonna strike. There's a lot of good things waiting.

What artists are on 7th Sign?

We got Big B, starred in the Change the World video, also performed on the album. We got Capo, my little brother, who was on Heavenz Movie. Mina Ross, my little sister who did some production on Heavenz Movie, also. Little Louise, from New England, an R & B singer. Young brother by the name of Roo. I got him out of prison. He's the baby, the light that shines. A young lady by the name of Lea, from Hawaii, with a broad, new style, new sound of music. She's the new millennium's Sade, the new millennium's Alanis Morrissette. She isn't even in her prime yet. Those are the artists. They're great artists.

You're about ready to take on 2001.

God willing. Life willing. We're that ready to spread the message.

What is family?

Family is a comfort zone. Family members are the people that surround your comfort zone, surrounds you to become your comfort zone.

Where do you see hip-hop right now?

It's just going through phases. It's going through different changes, just like music does. And as far as Em (remember I told you I left out a question) goes, you never knock the next man for his accomplishment. You neversee, a critic is just critical cause he's a hypocrite. Because to criticize and be so analytical to he point where you make something bad out of something good, regardless. You find something no matter how hard you have to dig. I can't sway that way, so, on Em, I have no problem with what he's doing. And. As far as hip-hop, it's about being free, speaking your mind and it's about speaking the truth. There's a generation out there that's crying for answers and won't nobody tell them the truth. And the answers that they get on their own, they want to get deeper. Because they know someone that can tell them right away what's going on. They'll go as far as the government and get as far as the answers that they have, but they'll never let the people know. Those are things that we need to know to enhance ourselves and that's just the stupid stuff for the unenhanced; for the person who isn't as intelligent. What about them? What about them? They're screaming. They're fucking crying out with these wack-ass raps and shit like that. Talking about dumb shit all the time. I mean, there's your fair share of that. Right now, that is the consciousness of our youth. No one's giving them any awareness. In other words, they're fucking scared.

You talking about all the bling-bling shit?

No, I'm not just talking about all that. I'm not going to stigmatize it. Everyone says that. I'm not everyone. I'm different. I'm not eccentric and I'm articulate. I have real virtue, it's not an infected hatred. We're not of this world, not of these worldly ways. But we may take on some others that we're so strong against. One day, it'll highlight the phoniness in all of 'em.

I have a problem with all the bling-bling business because I feel that it's misleading a lot of people and taking them away from the true cause that their lives should be.

There's so much deeper problems than hip-hop. It's not a hip-hop artists duty to do this, and to be crucified when others are pacified. How can you criticize one and not the other. If they're both in wheelchairs, they're both handicapped. So, now, let's make a movement as a society. Don't try to just change what I fuckin do, change what you fuckin do, and what your boss fuckin does. Quite hatin on my shit because it's sellin. Let's change the world. Don't put me in a group because I'm of a lower class and because I don't have as much power as you do. That's not fair and I'm gonna fight it, cause I'm a fuckin rebel. Help me. Tell me the right way. But you'd rather fight me and try to correct my wrongs and not even look at yourself. I just need to evolve, but you need to change now. Fuck that. That's wrong and I don't agree with that shit.

There's a lot of people talking now about hip-hop artists sharing responsibility for leading the community.

Community should be responsible for leading the community which produces the hip-hop artist. They all came from the community. You cannot put these servants and slaves on a pedestal. You go carry the community and maybe that's all they can see. Now, if they don't see the poverty, they don't see the guns, they don't see the sex and viciousness and the graffiti on television from white corporate Americachange that. That's the problem. Why pick on me? Or pick on them? When that's all they've ever seen and the only thing that they got to hold on to that doesn't wear down in their body; that doesn't strip their minds. It's not just about the individual rap artist. It's about the people he's singin to. When they hear them, when they see them people shine; it's like when you see the lights on the landing pad. Even if you don't think you have enough gas to get there, it's comforting to see it. You can see it, or you're there. If you can see it, you can reach it. Even if you gotta die to get there.

You don't think that you, Bizzy Bone, have a responsibility to

I'm different. I'm different. When I speak, I speak for my people. I don't speak against my people. Everything I do, as a man, as a community leader, as someone who children look up to I go to schools, I do this. I talk to kids. I tell them about education. I do school tours. I'm responsible for my own actions, and, yes, I am responsible. I am, but not everyone else. Not every singlefuck thatyou won't pick on everybody. You wanna pick on somebody, pick on somebody your own size.

So, it's the "I'm not a role model" kind of thinking?

No, it's not no "I'm not a role model". I'm not saying, "I'm". I'm saying everyone is not a role model. I'm saying I am. But everyone isn't. Everyone isn't. Everyone isn't equipped to do it. They don't have the mental capacities. They have to do the wrong thing and they have to have experience to live. That's livin-experiences. That's the way you live. You learn. And there's babies out here. They're fuckin babies. That's how I feel. I'm just likefuck that. You're not going to just pick on my young brothers or my young sisters. There's no way out. The system is designed for them to fail. They don't teach them anything dealing with their heritage. They don't teach them shit. They give them a month.

The shortest month

I mean, it's ridiculous. It makes no fuckin sense. You gotta wait four fuckin years to get an extra day. That's a lot to be dealt with right now. If we gotta stop, if we gotta stop some things, we gotta start from the top. Kill the head and the body will die. That's where the brain is. That's the computer. Kill the head, the body will die. It'll just wither the fuck away. There goes the oneness. We could go back to tradin furs and diamonds. What the hell are we exchanging bullets for? There's energy and electricitythere's electricity in our bodies. There's sensors in money. You don't think there's no attraction to that? You don't think it correlates, one to the other. There's a lot of things to factor in. There's a lot of discussion. There's a lot of changes. To get down to the bottom line, the truest essence, hip-hop won't do it. I'm sorry. It just won't. Maybe I can help, but it doesn't mean everyone else can. It doesn't mean everyone else wants to.

So, after this album, what's next?

I'd like to get back in the studio with 7th Sign. I've put together a couple projects, turn in another album in six months, put that out. Shoot a movie here Those are my plans. I really want to show the love, to give the love back. I'll feel better when I'm able to put a video out from herebring something to the city that no one has, yet. Or, that some have and just add to that stock. I don't have to be the forefather, just a part of it.

What other artists are you feeling right now?

I like Wyclef's new album. He's shown me a lot of stuff with his new album, a lot of versatility. Of course, Lauryn Hill. She's a blessed young lady. Always gonna feel Pac; friend, ally, fearless soldier, rebel. There's a few others, but those shine.

You think TuPac's still alive?

You never know. I have my hopes and, if there's a chance, I send him all the love. Stay safe, nothing but love, nothing but hugs and thugs.

If it was in your power to make anyone in your business quit, just get anther job in another line of work, who would it be?

Tomica Wright

At this point, is there anything else you want to say?

I just want to say that I believe it's the search. It's the rush of the search. It's the opportunity to do that. It's life. It's living. Feel the experience and using the mind that God gave you and the goodness that's been instilled in you since the day you were born. The one thing that's solid-there's right and there's wrong. Like a good friend told me today at dinner, you have that from day one. Use your good judgment. To all my young homies out there, think with your big head, not your little head. To all of the sisters out there, all that glitters is not gold, even if it's platinum. Hold it down. That's about it, till next time. To the internet world, I send my love. This is BB, 7th Sign, yes indeed. We got some more stuff coming, titillating, stimulating your mind. That's about it. No longer DeCarlo Gambino, just Bizzy. I'm black and I'm Italian, germanfuck it, I'm a man first.